Showing posts with label John James Audubon. Show all posts
Showing posts with label John James Audubon. Show all posts

Thursday, May 1, 2014

passing bliss








Rose-breasted grosbeaks have been passing through the Tennessee Valley migrating north to their breeding grounds. Much to my good fortune, several have stopped by my feeder in the past few days.

John James Audubon wrote about an encounter he had with one at night while camping on the Mohawk River in the early 1800s.

“The evening was calm and beautiful, the sky sparkled with stars, which were reflected by the smooth waters, and the deep shade of the rocks and trees of the opposite shore fell on the bosom of the stream…

“I closed my eyes, and was passing away into the world of dreaming existence, when suddenly there burst on my soul the serenade of the Rose-breasted bird, so rich, so mellow, so loud in the stillness of the night, that sleep fled from my eyelids. Never did I enjoy music more: it thrilled through my heart, and surrounded me with an atmosphere of bliss.”

-Photo by John Harrison

Tuesday, January 28, 2014

Audubon's whooping crane





my favorite Audubon's:

Hooping Crane, (today, whooping crane)
Probably never very plentiful even in Audubon's day, whooping crane populations are making a slow comeback due to extensive conservation efforts. In the late 1940s, only about 20 still existed, today there's just over 500. In December, I saw one (a direct release juvenile) at Hiwassee Wildlife Refuge in Meigs County in East Tennessee. A coup. Audubon writes:

" While in the Floridas, I saw a few of these birds alive, but many which had been shot by the Spaniards and Indians, for the sake of their flesh and beautiful feathers, of which the latter they make fans and fly-brushes.”
 
By Audubon the naturalist, from his Ornithological Biography.

Yesterday, I spoke about Audubon's "Birds of America" at Wilderness Wildlife Week in Pigeon Forge. Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a darn good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Tuesday, January 29, 2013

Audubon's raven





my favorite Audubon's: 

The Raven


A bird not perched upon a pallid bust of Pallas above a chamber door but a hickory tree. This portrait came 12 years before the famous poem by Poe. John James Audubon knew better where to find them.

"Their usual places of resort are the mountains, the abrupt banks of rivers, the rocky shores of lakes, and the cliffs of thinly-peopled or deserted islands ... There, through the clear and rarefied atmosphere, the Raven spreads his glossy wings and tail, and, as he onward sails, rises higher and higher each bold sweep that he makes, as if conscious that the nearer he approaches the sun, the more splendid will become the tints of his plumage," writes Audubon, the naturalist, in his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, yet often farouche, John James Audubon was the first to put in print.

And "from my books surcease of sorrow - sorrow for the lost Lenore /For the rare and radiant maiden whom the angels named Lenore/Nameless here for evermore," a poem by the same name, first published on this date in the New York Evening Mirror on January 29, 1845.

The Raven by  Edgar Allan Poe read by American actor Christopher Walken.






Monday, January 14, 2013

Audubon's Carolina Parakeet









my favorite Audubon's:

Carolina parrot, (today, Carolina parakeet)

If the whooping crane almost went extinct, this one surely did. The last documented Carolina parakeet died in the Cincinnati Zoo in 1918. But in Aududon's day they existed in great flocks. Sadly though they had a fondness for maintained orchards and their young fruits, he writes:

"Do not imagine, reader, that all these outrages are borne without severe retaliation on the part of the planters. So far from this, the Parrots are destroyed in great numbers, for whilst busily engaged in plucking off the fruits or tearing the grain from the stacks, the husbandman approaches them with perfect ease, and commits great slaughter among them. All the survivors rise, shriek, fly round about for a few minutes, and again alight on the very place of most imminent danger. The gun is kept at work; eight or ten, or even twenty, are killed at every discharge."

"The living birds, as if conscious of the death of their companions, sweep over their bodies, screaming as loud as ever, but still return to the stack to be shot at, until so few remain alive, that the farmer does not consider it worth his while to spend more of his ammunition. I have seen several hundreds destroyed in this manner in the course of a few hours, and have procured a basketful of these birds at a few shots, in order to make choice of good specimens for drawing the figures by which this species is represented in the plate now under your consideration," writes John James Audubon, the naturalist, in his  Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

I'll be making a presentation about Audubon's "Birds of America" this afternoon at 2:30 at Wilderness Wildlife Week in Pigeon Forge. Admission is free.

Tuesday, July 3, 2012

last great auk pair

 •

Great auk pair by John James Audubon

On this dubious date: July 3, 1844. 168 years ago today. The last recorded pair of great auks were strangled to death protecting their nest.


The last known colony of great auks lived on Geirfuglasker—the Great Auk Rock—off Iceland. This islet was a volcanic rock surrounded by cliffs which made it inaccessible to humans (that was a good thing), but in 1830 the islet submerged after a volcanic eruption, and the birds moved to Eldey, a nearby island, which was accessible from a single side. 

When the colony was initially discovered in 1835, nearly fifty birds were present. Museums and collectors, desiring the skins of the auk for preservation and display, quickly began collecting birds from the colony. 

The last pair, found incubating an egg, was killed there on July 3, 1844, with Jón Brandsson and Sigurður Ísleifsson strangling the adults and Ketill Ketilsson smashing the egg with his boot.

And that was it for the great auk.

Forgive me. This story is gosh awful!


Friday, March 2, 2012

peenting time








With timberdoodles, it's a matter of being in the right place at the right time. And at this particular time of the year, at twilight, the male woodcocks, a.k.a. “bogsuckers"—as the species was called during Audubon’s day—begin their courtship displays and "peent" calls. (If you are a female woodcock, it speaks to you. Trust me.)

Tomorrow evening, join me for a muddy walk to Forks of the River Wildlife Management Area to search for American woodcocks. In years past, we have been able to slowly creep through the dry grasses to be within only a few feet of the ardent crooners. We could see them flying, although with the fading light not that clearly. It's remarkable how they practically disappeared, right before your very eyes. Poof!

This bird is quirky!

Audubon wrote that American woodcocks favored “Rivulets that run through thickets, and of which the margins are muddy or composed of oozy ground.”
 
Ooozy ground, indeed! Seeing such an odd little bird in such an out of the way location makes you wonder: Just what else is out there peenting in the night?

To sign up for our end-of-day adventure, call (865) 577-4717, ext. 110. Dress for muddy conditions! And keep your fingers crossed that we can find one of these odd things in the half-light of a dying day.

- American woodcock by John James Audubon, "The Birds of America" Plate #268



Friday, January 27, 2012

Audubon's wild turkey






my favorite Audubon's:

Wild Turkey

John James Audubon, the naturalist/artist/writer died 161 years ago today. If yesterday's osprey was my favorite Audubon print, we'll end our three week look at his work with probably his favorite. Out of the 435 prints produced—initially by William Lizars in Scotland but the great bulk by Robert Havell, Jr. in London—the wild turkey engraving was the first: Number 1, Plate 1. The print that when anyone saw it, they said, "I got to have more!"  And Audubon obliged.

Audubon also wrote more about America's favorite gamebird than any other species, including how they crossed over great rivers, here's an excerpt:

The Turkey is irregularly migratory, as well as irregularly gregarious. With reference to the first of these circumstances, I have to state, that whenever the mast of one portion of the country happens greatly to exceed that of another, the Turkeys are insensibly led toward that spot, by gradually meeting in their haunts with more fruit the nearer they advance towards the place where it is most plentiful. In this manner flock follows after flock, until one district is entirely deserted, while another is, as it were, overflowed by them. But as these migrations are irregular, and extend over a vast expanse of country, it is necessary that I should describe the manner in which they take place.

"About the beginning of October, when scarcely any of the seeds and fruits have yet fallen from the trees, these birds assemble in flocks, and gradually move towards the rich bottom lands of the Ohio and Mississippi. The males, or, as they are more commonly called, the gobblers, associate in parties of from ten to a hundred, and search for food apart from the females; while the latter are seen either advancing singly, each with its brood of young, then about two-thirds grown, or in connexion with other families, forming parties often amounting to seventy or eighty individuals, all intent on shunning the old cocks, which, even when the young birds have attained this size, will fight with, and often destroy them by repeated blows on the head. Old and young, however, all move in the same course, and on foot, unless their progress be interrupted by a river, or the hunter's dog force them to take wing. When they come upon a river, they betake themselves to the highest eminences, and there often remain a whole day, or sometimes two, as if for the purpose of consultation. During this time, the males are heard gobbling, calling, and making much ado, and are seen strutting about, as if to raise their courage to a pitch befitting the emergency. Even the females and young assume something of the same pompous demeanour, spread out their tails, and run round each other, purring loudly, and performing extravagant leaps. 

"At length, when the weather appears settled, and all around is quiet, the whole party mounts to the tops of the highest trees, whence, at a signal, consisting of a single cluck, given by a leader, the flock takes flight for the opposite shore. The old and fat birds easily get over, even should the river be a mile in breadth; but the younger and less robust frequently fall into the water,-not to be drowned, however, as might be imagined. They bring their wings close to their body, spread out their tail as a support, stretch forward their neck, and, striking out their legs with great vigour, proceed rapidly towards the shore; on approaching which, should they find it too steep for landing, they cease their exertions for a few moments, float down the stream until they come to an accessible part, and by a violent effort generally extricate themselves from the water"
 
By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.


Thursday, January 26, 2012

Audubon's osprey







my favorite Audubon's:

Fish hawk, (today, Osprey)

This is just a magnificent portrait of an osprey. Love it! Love it! If I could own but one Audubon, this would be it. Watching an osprey dive into the water after a fish and then wrestle it to the surface and fly away is one of the most dramatic acts you'll ever witness in nature. SPLASH! I've seen it often. Power personified. Audubon writes:

“When the fish hawk plunges into the water in pursuit of a fish, it sometimes proceeds deep enough to disappear for an instant. The sure caused by its descent is so great as to make the spot around it present the appearance of a mass of foam. On rising with its prey, it is seen holding it in the manner represented in the Plate. It mounts a few yards into the air, shakes the water from its plumage, squeezes the fish with its talons, and immediately proceeds towards its nest, to feed its young, or to a tree, to devour the fruit of its industry in peace. When it has satisfied its hunger, it does not, like other Hawks, stay perched until hunger again urges it forth, but usually sails about at a great height over the neighbouring waters."
 
By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.


To see a Pandion haliaetus in action, click: SPLASH.


Monday, January 23, 2012

Audubon's purple heron



my favorite Audubon's:

Purple heron, (today, reddish egret)

Since I've never been to the Keys or spent much time on the Gulf coast—it's on my bucket list, or in my case barrel list—I've never seen this egret. Audubon writes:

"The Purple Heron is a constant resident on the Florida Keys, to which it is so partial at all seasons that it never leaves them. Some individuals are seen as far east as Cape Florida, and westward along the Gulf of Mexico. Whether it may ever betake itself to fresh water I cannot say, but I never found one in such a situation. It is a more plump bird for its size than most other Herons, and in this respect resembles the Night Heron and the Yellow-crowned species, but possesses all the gracefulness of the tribe to which it belongs. 

The remarkable circumstance of this bird's changing from white to purple, will no doubt have some tendency to disconcert the systematists, who, it seems, pronounce all the birds which they name Egrets to be always white.

In this case, he got it a bit wrong. There's two morphs: some reddish egrets are that color, while other reddish egrets are indeed white. 

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Sunday, January 22, 2012

Audubon's marsh wren





....my favorite Audubon's:

Nuttall's short-billed marsh wren, (today, sedge wren)

What the heck. I still have a few more favorite Audubon's I want to share. In the case of the sedge wren, what a beautifully constructed nest. Audubon writes: 

"The nest of the Short-billed Marsh Wren is made wholly of dry or partly green sedge, bent usually from the top of the grassy tuft in which the fabric is situated. With much ingenuity and labour these simple materials are loosely entwined together into a spherical form, with a small and rather obscure entrance left on the side. A thin lining is sometimes added to the whole, of the linty fibres of the silk-weed, or some other similar material. The eggs, pure white, and destitute of spots, are probably from six to eight.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Audubon ultimately painted 497 species of birds for his masterwork, The Birds of America, thus establishing a new number for how many can be found in this country (today we know the number is over 600). During the process he identified 25 new species and numerous sub-species unknown to science.


Saturday, January 21, 2012

Audubon's goldfinch


....my favorite Audubon's:

Yellow bird, (today, American goldfinch)

What the heck. I still have a few more favorite Audubon's I want to share. In the case of the goldfinch, he accurately portrayed the species of the plant it's most closely associated with, the thistle. Audubon writes about its flight pattern: 

" The flight of the yellow bird is performed in deep curved lines, alternately rising and falling, after each propelling motion of its wings…uttering two or three notes whilst ascending.”

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Audubon ultimately painted 497 species of birds for his masterwork, The Birds of America, thus establishing a new number for how many can be found in this country (today we know the number is over 600). During the process he identified 25 new species and numerous sub-species unknown to science.

Thursday, January 19, 2012

Audubon's great blue heron









....my favorite Audubon's:

Blue heron, (today, great blue heron)

A single Havell engraved, hand water-colored great blue heron print from the first edition can sell for $100,000. Audubon found this species widespread throughout the East. He writes: 

"The manners of this Heron are exceedingly interesting at the approach of the breeding season, when the males begin to look for partners. About sunrise you see a number arrive and alight either on the margin of a broad sand-bar or on a savannah. They come from different quarters, one after another, for several hours; and when you see forty or fifty before you, it is difficult for you to imagine that half the number could have resided in the same district.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.


On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

Wednesday, January 18, 2012

Audubon's scrub jay


....my favorite Audubon's:

Florida jay, (today, scrub jay)

This species is becoming scarce in the Sunshine State because of habitat loss. I have seen only one Florida scrub jay in my life, along a railroad track at the back of Oscar Scherer State Park south of Sarasota. Audubon writes: 

"The flight of the Florida Jay is generally performed at a short distance from the ground, and consists either of a single sailing sweep, as it shifts from one tree or bush to another, or of continuous flappings, with a slightly undulated motion, in the manner of the Magpie (Pica melanoleuca) or of the Canada Jay (Garrulus canadensis). Its notes are softer than those of its relative the Blue Jay (Garrulus cristatus), and are more frequently uttered.

"I have represented a pair of Florida Jays on a branch of the persimmon tree, ornamented with its richly coloured fruits. This tree grows to a moderate height as well as girth. The wood is hard and compact. The leaves drop off at an early period. The fruit, when fully ripe, is grateful to the palate. The persimmon occurs in all parts of the United States, but abounds in the low lands of Florida and Louisiana, probably more than in any other portion of the Union."


By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

On Fridat, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

Tuesday, January 17, 2012

Audubon's barn swallow





my favorite Audubon's:

Barn swallow

Adobe: a natural building material made of sand, clay or mud mixed with a natural fiber like grass or straw. Long before Native Americans built their homes with it, barn swallows had perfected the technique. Audubon writes:

"The nest is attached to the side of a beam or rafter in a barn or shed, under a bridge, or sometimes even in an old well, or in a sink hole, such as those found in the Kentucky barrens. Whenever the situation is convenient and affords sufficient room, you find several nests together, and in some instances I have seen seven or eight within a few inches of each other; nay, in some large barns I have counted forty, fifty, or more. 

"The male and the female both betake themselves to the borders of creeks, rivers, ponds, or lakes, where they form small pellets of mud or moist earth, which they carry in their bill to the chosen spot, and place against the wood, the wall, or the rock, as it may chance to be. They dispose of these pellets in regular lays, mixing, especially with the lower, a considerable quantity of long slender grasses, which often dangle for several inches beneath the bottom of the nest.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

Monday, January 16, 2012

Audubon's snowy egret




my favorite Audubon's:

Snowy heron (today, snowy egret)

In my book Ghost Birds, I write about snowy egrets. By the early 1900s, like the roseate spoonbill, they were almost lost due to plume-hunting. E.A. McIlhenny, the heir to, of all things, the Tabasco Sauce empire is credited with single-handedly bringing snowy egrets back to Louisiana and a man-made rookery/wildlife sanctuary he created called "Bird City." One hundred years before that Audubon writes:

"This beautiful species is a constant resident in Florida and Louisiana, where thousands are seen during winter, and where many remain during the breeding season


"While migrating, they fly both by night and by day, in loose flocks of from twenty to a hundred individuals, sometimes arranging themselves in a broad front, then forming lines, and again proceeding in a straggling manner. They keep perfectly silent, and move at a height seldom exceeding a hundred yards. Their flight is light, undetermined as it were, yet well sustained, and performed by regular flappings, as in other birds of the tribe.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.


Saturday, January 14, 2012

Audubon's spoonbill



my favorite Audubon's: 

Roseate spoonbill

A species we almost lost because of the plume hunters and the popularity of those pink feathers. Audubon writes:

"This beautiful and singular bird, although a constant resident in the southern extremities of the peninsula of Florida, seldom extends its journeys in an eastern direction beyond the State of North Carolina...The Roseate Spoonbill is found for the most part along the marshy and muddy borders of estuaries, the mouths of rivers, ponds, or sea islands or keys partially overgrown with bushes, and perhaps still more commonly along the shores of those singular salt-water bayous so abundant within a mile or so of the shores, where they can reside and breed in perfect security in the midst of an abundance of food.

By John James Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, yet often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

Friday, January 13, 2012

Audubon's ivory-bill



my favorite Audubon's:

Ivory-billed woodpecker

A species near and dear to my heart since I spent four years writing a book about them. Audubon writes: 


"The ivory-billed woodpecker confines its rambles to a comparatively very small portion of the United States, it never having been observed in the Middle States within the memory of any person now living there

I wish, kind reader, it were in my power to present to your mind's eye the favourite resort of the Ivory-billed Woodpecker. Would that I could describe the extent of those deep morasses, overshadowed by millions of gigantic dark cypresses, spreading their sturdy moss-covered branches, as if to admonish intruding man to pause and reflect on the many difficulties which he must encounter, should he persist in venturing farther into their almost inaccessible recesses, extending for miles before him, where he should be interrupted by huge projecting branches, here and there the massy trunk of a fallen and decaying tree, and thousands of creeping and twining plants of numberless species!”

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, yet often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

I'll be speaking at Wilderness Wildlife Week in Pigeon Forge today at 1 p.m. about my book "Ghost Birds: Jim Tanner and the Ivory-bill."

Thursday, January 12, 2012

Audubon's snowy owl







my favorite Audubon's:

Snowy owl

One of the species I have yet to add to my life list. Audubon writes:

"This beautiful bird is merely a winter visitor of the United States, where it is seldom seen before the month of November, and whence it retires as early as the beginning of February. It wanders at times along the sea coast, as far as Georgia. I have occasionally seen it in the lower parts of Kentucky, and in the State of Ohio. It is more frequently met with in Pennsylvania and the Jerseys; but in Massachusetts and Maine it is far more abundant than in any other parts of the Union...Scarcely is there a winter which does not bring several of these hardy natives of the north to the Falls of the Ohio at Louisville. At the break of day, one morning, when I lay hidden in a pile of drift logs, at that place, waiting for a shot at some wild geese, I had an opportunity of seeing this Owl secure fish.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, yet often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

I'll be speaking at Wilderness Wildlife Week in Pigeon Forge today at 1 p.m. about the "Making of Audubon's Birds of America," a most remarkable feat.

Wednesday, January 11, 2012

Audubon's Louisiana waterthrush








my favorite Audubon's:

Once known by the odd sobriquet aquatic wagtail (aquatic because it likes to be near water and wagtail because it bobs its tail), it was Audubon who gave this bird its more lyrical name still in use today:

Louisiana waterthrush

"Much and justly as the song of the Nightingale is admired, I am inclined, after having listened to it, to pronounce it in no degree superior to that of the Louisiana Water Thrush...I have taken the liberty of naming this first songster of our groves after the country which has afforded me my greatest pleasure...The Common Water Thrush is at all times and in every situation shy even to wildness. The Louisiana Water Thrush is so gentle and unsuspicious as to allow a person to approach within a few yards of it.”

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, yet often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

I'll be speaking at Wilderness Wildlife Week in Pigeon Forge tomorrow at 1 p.m. about the "Making of Audubon's Birds of America," a most remarkable feat.

Tuesday, January 10, 2012

Audubon's tricolored heron




my favorite Audubon's:

Louisiana heron, (today, Tricolored heron)

"Delicate in form, beautiful in plumage, and graceful in its movements, I never see this interesting Heron, without calling it the Lady of the Waters. Watch its motions, as it leisurely walks over the pure sand beaches of the coast of Florida, arrayed in the full beauty of its spring plumage. Its pendent crest exhibits its glossy tints, its train falls gracefully over a well defined tail, and the tempered hues of its back and wings contrast with those of its lower parts. Its measured steps are so light that they leave no impression on the sand, and with its keen eye it views every object around with the most perfect accuracy.”

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, yet often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

I'll be speaking at Wilderness Wildlife Week in Pigeon Forge on Thursday at 1 p.m. about the "Making of Audubon's Birds of America," a most remarkable feat.