Thursday, February 2, 2012

snowy: come on down





It's not every day that owls make national news, but this has been a big winter for snowys in the lower 48, so much so that their soirée south of the Arctic made NBC's Nightly News with Brian Williams. (He's got a soft spot for animals; he just loves a good whale story.)

Many snowy owls have been seen across the upper tier and as far south as Missouri, but none so far in Tennessee.

So this then is a formal invitation: the Volunteer State is warm and inviting, lots of juicy mice and voles but, sad to say, no lemmings. I hear they taste about the same, but a good Appalachian vole has a hickory smoke piquant you just don't find on those tundra fed lemmings.

There might even be a few groundhogs since it is their day.

NBC snowy owl report




Monday, January 30, 2012

a lion in winter





"To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour."

-William Blake, "Auguries of Innocence"


"Every wolf's and lion's howl, Raises from hell a human soul," continues Blake. But have we yet heard the howling? Don't be fooled. Winter is still here, at least for a few more weeks. And I say that with a guttural gulp. Remember the late winter blizzard, March 12-13, 1993?

You have to admire any plant that thumbs its nose at the cold weather. The lion's howl. Well plants do not actually have noses nor do they howl, but work with me here. There's not much green out there on my part of the planet and most of what is, grows low to the ground where it's safer. But not this one.
 

That's why I admire the tenacity of Prenanthes alba, (Prenanthes: from prenes for "drooping" and anthe for "blossom" plus alba: Latin for "white." Although it's too early in the season for drooping white flowers.

The plant is also known by the common names white lettuce, rattlesnake root and/or lion's foot. I'm not sure why the latter sobriquet, I've never looked at a lion's foot that closely, but if it had been up to me, I'd called it "Lion's howl."

Saturday, January 28, 2012

poo beetle dances

 •



Ambling about in search of poo, a dung beetle finds its fecal treasure. The droppings are used as brood chambers and food for the beetle's developing young. To each its own, we all have a role to play. Mine is just a little more refined.


Dung beetles eat poo, a good thing, because it keeps me from stepping in it. (One report states they prefer herbivore excrement to omnivore.)


Also known as rollers, the beetles roll the dung into a ball for the trip back to their homes, but how do they find their way? It's hard enough to push the lump, little on navigate, just how do they move it along on a true and proper course?

Well, it seems, it does a little orientation dance and consults the stars or position of the sun. What else can they do? There's no road maps that small. Video: beetle gets its bearings.

Friday, January 27, 2012

1 more for Audubon






my favorite Audubon's:

Wild Turkey

John James Audubon, the naturalist/artist/writer died 161 years ago today. If yesterday's osprey was my favorite Audubon print, we'll end our three week look at his work with probably his favorite. Out of the 435 prints produced—initially by William Lizars in Scotland but the great bulk by Robert Havell, Jr. in London—the wild turkey engraving was the first: Number 1, Plate 1. The print that when anyone saw it, they said, "I got to have more!"  And Audubon obliged.

Audubon also wrote more about America's favorite gamebird than any other species, including how they crossed over great rivers, here's an excerpt:

The Turkey is irregularly migratory, as well as irregularly gregarious. With reference to the first of these circumstances, I have to state, that whenever the mast of one portion of the country happens greatly to exceed that of another, the Turkeys are insensibly led toward that spot, by gradually meeting in their haunts with more fruit the nearer they advance towards the place where it is most plentiful. In this manner flock follows after flock, until one district is entirely deserted, while another is, as it were, overflowed by them. But as these migrations are irregular, and extend over a vast expanse of country, it is necessary that I should describe the manner in which they take place.

"About the beginning of October, when scarcely any of the seeds and fruits have yet fallen from the trees, these birds assemble in flocks, and gradually move towards the rich bottom lands of the Ohio and Mississippi. The males, or, as they are more commonly called, the gobblers, associate in parties of from ten to a hundred, and search for food apart from the females; while the latter are seen either advancing singly, each with its brood of young, then about two-thirds grown, or in connexion with other families, forming parties often amounting to seventy or eighty individuals, all intent on shunning the old cocks, which, even when the young birds have attained this size, will fight with, and often destroy them by repeated blows on the head. Old and young, however, all move in the same course, and on foot, unless their progress be interrupted by a river, or the hunter's dog force them to take wing. When they come upon a river, they betake themselves to the highest eminences, and there often remain a whole day, or sometimes two, as if for the purpose of consultation. During this time, the males are heard gobbling, calling, and making much ado, and are seen strutting about, as if to raise their courage to a pitch befitting the emergency. Even the females and young assume something of the same pompous demeanour, spread out their tails, and run round each other, purring loudly, and performing extravagant leaps. 

"At length, when the weather appears settled, and all around is quiet, the whole party mounts to the tops of the highest trees, whence, at a signal, consisting of a single cluck, given by a leader, the flock takes flight for the opposite shore. The old and fat birds easily get over, even should the river be a mile in breadth; but the younger and less robust frequently fall into the water,-not to be drowned, however, as might be imagined. They bring their wings close to their body, spread out their tail as a support, stretch forward their neck, and, striking out their legs with great vigour, proceed rapidly towards the shore; on approaching which, should they find it too steep for landing, they cease their exertions for a few moments, float down the stream until they come to an accessible part, and by a violent effort generally extricate themselves from the water"
 
By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.


Thursday, January 26, 2012

2 more Audubon's







my favorite Audubon's:

Fish hawk, (today, Osprey)

This is just a magnificent portrait of an osprey. Love it! Love it! If I could own but one Audubon, this would be it. Watching an osprey dive into the water after a fish and then wrestle it to the surface and fly away is one of the most dramatic acts you'll ever witness in nature. SPLASH! I've seen it often. Power personified. Audubon writes:

“When the fish hawk plunges into the water in pursuit of a fish, it sometimes proceeds deep enough to disappear for an instant. The sure caused by its descent is so great as to make the spot around it present the appearance of a mass of foam. On rising with its prey, it is seen holding it in the manner represented in the Plate. It mounts a few yards into the air, shakes the water from its plumage, squeezes the fish with its talons, and immediately proceeds towards its nest, to feed its young, or to a tree, to devour the fruit of its industry in peace. When it has satisfied its hunger, it does not, like other Hawks, stay perched until hunger again urges it forth, but usually sails about at a great height over the neighbouring waters."
 
By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.


To see a Pandion haliaetus in action, click: SPLASH.


Wednesday, January 25, 2012

3 more Audubon's









my favorite Audubon's:

Carolina parrot, (today, Carolina parakeet)

If yesterday's whooping crane almost went extinct, this one surely did. The last documented Carolina parakeet died in the Cincinnati Zoo in 1918. But in Aududon's day they existed in great flocks. Sadly though they had a fondness for maintained orchards and their young fruits, he writes:

"Do not imagine, reader, that all these outrages are borne without severe retaliation on the part of the planters. So far from this, the Parrots are destroyed in great numbers, for whilst busily engaged in plucking off the fruits or tearing the grain from the stacks, the husbandman approaches them with perfect ease, and commits great slaughter among them. All the survivors rise, shriek, fly round about for a few minutes, and again alight on the very place of most imminent danger. The gun is kept at work; eight or ten, or even twenty, are killed at every discharge. 

"The living birds, as if conscious of the death of their companions, sweep over their bodies, screaming as loud as ever, but still return to the stack to be shot at, until so few remain alive, that the farmer does not consider it worth his while to spend more of his ammunition. I have seen several hundreds destroyed in this manner in the course of a few hours, and have procured a basketful of these birds at a few shots, in order to make choice of good specimens for drawing the figures by which this species is represented in the plate now under your consideration.”
 
By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Tuesday, January 24, 2012

4 more Audubon's





my favorite Audubon's:

Hooping Crane, (today, whooping crane)
Probably never very plentiful even in Audubon's day, whooping crane populations are making a slow comeback due to extensive conservation efforts. In the late 1940s, only about 20 still existed, today there's just over 500. In December, I saw one (a direct release juvenile) at Hiwassee Wildlife Refuge in Meigs County in East Tennessee. A coup. Audubon writes:

" While in the Floridas, I saw a few of these birds alive, but many which had been shot by the Spaniards and Indians, for the sake of their flesh and beautiful feathers, of which the latter they make fans and fly-brushes.”
 
By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Monday, January 23, 2012

5 more Audubon's



my favorite Audubon's:

Purple heron, (today, reddish egret)

Since I've never been to the Keys or spent much time on the Gulf coast—it's on my bucket list, or in my case barrel list—I've never seen this egret. Audubon writes:

"The Purple Heron is a constant resident on the Florida Keys, to which it is so partial at all seasons that it never leaves them. Some individuals are seen as far east as Cape Florida, and westward along the Gulf of Mexico. Whether it may ever betake itself to fresh water I cannot say, but I never found one in such a situation. It is a more plump bird for its size than most other Herons, and in this respect resembles the Night Heron and the Yellow-crowned species, but possesses all the gracefulness of the tribe to which it belongs. 

The remarkable circumstance of this bird's changing from white to purple, will no doubt have some tendency to disconcert the systematists, who, it seems, pronounce all the birds which they name Egrets to be always white.

In this case, he got it a bit wrong. There's two morphs: some reddish egrets are that color, while other reddish egrets are indeed white. 

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Sunday, January 22, 2012

6 more Audubon's





....my favorite Audubon's:

Nuttall's short-billed marsh wren, (today, sedge wren)

What the heck. I still have a few more favorite Audubon's I want to share. In the case of the sedge wren, what a beautifully constructed nest. Audubon writes: 

"The nest of the Short-billed Marsh Wren is made wholly of dry or partly green sedge, bent usually from the top of the grassy tuft in which the fabric is situated. With much ingenuity and labour these simple materials are loosely entwined together into a spherical form, with a small and rather obscure entrance left on the side. A thin lining is sometimes added to the whole, of the linty fibres of the silk-weed, or some other similar material. The eggs, pure white, and destitute of spots, are probably from six to eight.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Audubon ultimately painted 497 species of birds for his masterwork, The Birds of America, thus establishing a new number for how many can be found in this country (today we know the number is over 600). During the process he identified 25 new species and numerous sub-species unknown to science.


Saturday, January 21, 2012

7 more Audubon's


....my favorite Audubon's:

Yellow bird, (today, American goldfinch)

What the heck. I still have a few more favorite Audubon's I want to share. In the case of the goldfinch, he accurately portrayed the species of the plant it's most closely associated with, the thistle. Audubon writes about its flight pattern: 

" The flight of the yellow bird is performed in deep curved lines, alternately rising and falling, after each propelling motion of its wings…uttering two or three notes whilst ascending.”

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

Audubon ultimately painted 497 species of birds for his masterwork, The Birds of America, thus establishing a new number for how many can be found in this country (today we know the number is over 600). During the process he identified 25 new species and numerous sub-species unknown to science.

Friday, January 20, 2012

Such a deal!


A few hours ago, an American collector 
bidding by phone bought a first edition Audubon The Birds of America 
from Christie's auction house for

$7.9 million

something of a surprise since in 2010, a first edition sold for 
$11.5 million. 

Such a deal.

Today: Audubon Auction




....my favorite Audubon's:

Virginia partridge, (today, Northern bobwhite quail)

Sometime later today, a first edition of this intense action print—a red-shouldered hawk going after a covey of quail—will change hands. It's one of the 435 hand-colored engravings at auction today at Christie's in New York. Bound in one of four volumes, it's a rare and unique achievement in natural history and art, the product of John James Audubon, a Haitian-French-born American naturalist/artist, and an English engraver: Robert Havell plus a team of colorists and other artists.

Owned by the heirs of the Fourth Duke of Portland, this evening their copy of The Birds of America (circa. 1838) will have a new owner. Let's hope he/she has a party inviting all their friends and one lone blogger from Tennessee.

Stay tuned for an update.  

Thursday, January 19, 2012

1 day until Audubon









....my favorite Audubon's:

Blue heron, (today, great blue heron)

A single Havell engraved, hand water-colored great blue heron print from the first edition can sell for $100,000. Audubon found this species widespread throughout the East. He writes: 

"The manners of this Heron are exceedingly interesting at the approach of the breeding season, when the males begin to look for partners. About sunrise you see a number arrive and alight either on the margin of a broad sand-bar or on a savannah. They come from different quarters, one after another, for several hours; and when you see forty or fifty before you, it is difficult for you to imagine that half the number could have resided in the same district.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.


On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

Wednesday, January 18, 2012

2 days until Audubon


....my favorite Audubon's:

Florida jay, (today, scrub jay)

This species is becoming scarce in the Sunshine State because of habitat loss. I have seen only one Florida scrub jay in my life, along a railroad track at the back of Oscar Scherer State Park south of Sarasota. Audubon writes: 

"The flight of the Florida Jay is generally performed at a short distance from the ground, and consists either of a single sailing sweep, as it shifts from one tree or bush to another, or of continuous flappings, with a slightly undulated motion, in the manner of the Magpie (Pica melanoleuca) or of the Canada Jay (Garrulus canadensis). Its notes are softer than those of its relative the Blue Jay (Garrulus cristatus), and are more frequently uttered.

"I have represented a pair of Florida Jays on a branch of the persimmon tree, ornamented with its richly coloured fruits. This tree grows to a moderate height as well as girth. The wood is hard and compact. The leaves drop off at an early period. The fruit, when fully ripe, is grateful to the palate. The persimmon occurs in all parts of the United States, but abounds in the low lands of Florida and Louisiana, probably more than in any other portion of the Union."


By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

On Fridat, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

Tuesday, January 17, 2012

3 days until Audubon





my favorite Audubon's:

Barn swallow

Adobe: a natural building material made of sand, clay or mud mixed with a natural fiber like grass or straw. Long before Native Americans built their homes with it, barn swallows had perfected the technique. Audubon writes:

"The nest is attached to the side of a beam or rafter in a barn or shed, under a bridge, or sometimes even in an old well, or in a sink hole, such as those found in the Kentucky barrens. Whenever the situation is convenient and affords sufficient room, you find several nests together, and in some instances I have seen seven or eight within a few inches of each other; nay, in some large barns I have counted forty, fifty, or more. 

"The male and the female both betake themselves to the borders of creeks, rivers, ponds, or lakes, where they form small pellets of mud or moist earth, which they carry in their bill to the chosen spot, and place against the wood, the wall, or the rock, as it may chance to be. They dispose of these pellets in regular lays, mixing, especially with the lower, a considerable quantity of long slender grasses, which often dangle for several inches beneath the bottom of the nest.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.

Monday, January 16, 2012

4 days until Audubon




my favorite Audubon's:

Snowy heron (today, snowy egret)

In my book Ghost Birds, I write about snowy egrets. By the early 1900s, like the roseate spoonbill, they were almost lost due to plume-hunting. E.A. McIlhenny, the heir to, of all things, the Tabasco Sauce empire is credited with single-handedly bringing snowy egrets back to Louisiana and a man-made rookery/wildlife sanctuary he created called "Bird City." One hundred years before that Audubon writes:

"This beautiful species is a constant resident in Florida and Louisiana, where thousands are seen during winter, and where many remain during the breeding season


"While migrating, they fly both by night and by day, in loose flocks of from twenty to a hundred individuals, sometimes arranging themselves in a broad front, then forming lines, and again proceeding in a straggling manner. They keep perfectly silent, and move at a height seldom exceeding a hundred yards. Their flight is light, undetermined as it were, yet well sustained, and performed by regular flappings, as in other birds of the tribe.

By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.

On January 20, a complete first edition boxed-set of Audubon's The Birds of America including his five-volume Ornithological Biography will be auctioned in New York at Christie's. There are only 120 known copies of this huge work. As big as a coffee table, weighing over 200 pounds, it contains 435 hand-colored engravings (depicting 497 species) printed on handmade paper measuring 29.5 X 39.5 inches. Assembled into four volumes, it's massive.