Friday, January 27, 2012

Audubon's wild turkey






my favorite Audubon's:

Wild Turkey

John James Audubon, the naturalist/artist/writer died 161 years ago today. If yesterday's osprey was my favorite Audubon print, we'll end our three week look at his work with probably his favorite. Out of the 435 prints produced—initially by William Lizars in Scotland but the great bulk by Robert Havell, Jr. in London—the wild turkey engraving was the first: Number 1, Plate 1. The print that when anyone saw it, they said, "I got to have more!"  And Audubon obliged.

Audubon also wrote more about America's favorite gamebird than any other species, including how they crossed over great rivers, here's an excerpt:

The Turkey is irregularly migratory, as well as irregularly gregarious. With reference to the first of these circumstances, I have to state, that whenever the mast of one portion of the country happens greatly to exceed that of another, the Turkeys are insensibly led toward that spot, by gradually meeting in their haunts with more fruit the nearer they advance towards the place where it is most plentiful. In this manner flock follows after flock, until one district is entirely deserted, while another is, as it were, overflowed by them. But as these migrations are irregular, and extend over a vast expanse of country, it is necessary that I should describe the manner in which they take place.

"About the beginning of October, when scarcely any of the seeds and fruits have yet fallen from the trees, these birds assemble in flocks, and gradually move towards the rich bottom lands of the Ohio and Mississippi. The males, or, as they are more commonly called, the gobblers, associate in parties of from ten to a hundred, and search for food apart from the females; while the latter are seen either advancing singly, each with its brood of young, then about two-thirds grown, or in connexion with other families, forming parties often amounting to seventy or eighty individuals, all intent on shunning the old cocks, which, even when the young birds have attained this size, will fight with, and often destroy them by repeated blows on the head. Old and young, however, all move in the same course, and on foot, unless their progress be interrupted by a river, or the hunter's dog force them to take wing. When they come upon a river, they betake themselves to the highest eminences, and there often remain a whole day, or sometimes two, as if for the purpose of consultation. During this time, the males are heard gobbling, calling, and making much ado, and are seen strutting about, as if to raise their courage to a pitch befitting the emergency. Even the females and young assume something of the same pompous demeanour, spread out their tails, and run round each other, purring loudly, and performing extravagant leaps. 

"At length, when the weather appears settled, and all around is quiet, the whole party mounts to the tops of the highest trees, whence, at a signal, consisting of a single cluck, given by a leader, the flock takes flight for the opposite shore. The old and fat birds easily get over, even should the river be a mile in breadth; but the younger and less robust frequently fall into the water,-not to be drowned, however, as might be imagined. They bring their wings close to their body, spread out their tail as a support, stretch forward their neck, and, striking out their legs with great vigour, proceed rapidly towards the shore; on approaching which, should they find it too steep for landing, they cease their exertions for a few moments, float down the stream until they come to an accessible part, and by a violent effort generally extricate themselves from the water"
 
By Audubon the naturalist, from his Ornithological Biography.

Why is Audubon relevant? Because in addition to his artistic talent, perseverance and derring-do, he was a d--- good naturalist. A lot of what we know today about birds, the audacious, often farouche, John James Audubon was the first to put in print.


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